Friday 19th April 2024
Bangkok, Thailand

Two countries separated by a river:

It’s sunrise and the sky is painted pink on the river delineating the Thai / Myanmar border in a town called Mae Sot.

We’re here for the second anniversary of the Myanmar coup and I am working alongside correspondent Jonathan Head and our producer Thanyarat Doksone and are primarily doing live broadcasts.

At this stretch of the river, the crossing is only 20m wide and you can frequently see people wading across the thigh high water, carrying items back and forth; food, bicycles, parcels. A separate economy is being developed here, we even saw a man from the Myanmar side drop an inflatable raft from the Myanmar side, walk it over to the Thai side, and give a “VIP crossing” for two monks whose teeth are still tinted red from the chewing of betel nut.

This is an informal crossing – one of many on Thailand’s porous border – and authorities don’t seem much to mind.

People crossing the river from Myanmar to Thailand.

Technology for Live Broadcasting

For today’s live broadcast we are using the Sony A7siii with an HDMI out to a LiveU600 unit. Equipment has greatly simplified over the years, live broadcast used to take satellite transmission devices like a BGAN which also need a computer intermediary as well and we used to use much larger cameras with SDI out.

Now we are on the LiveU600 unit with an intuitive touch screen menu. Most recently before our current set up we were using an older model of the liveU and a larger camera being the Canon C300 which is considerably larger and heavier. Now that we can get good audio out of my A7Siii thanks to XLR-K3M, I am almost exclusively using the Sony A7siii.

The XLR-K3M allows the signal of XLR mics to record directly into the camera. With the XLR-K3M we are allotted two XLR inputs and can technically also get two more channels (four in total) by using the the third channel on the K3M with a mini jack adapter.

Then some more personal accessory gear, I have a small pouch that I keep on my side attached to my belt and a fanny pack. These two pouches always carry necessary but small items that if forgotten will ruin the entire trip and render it useless. Both pouches carry extra camera batteries, AA batteries for my lapel mics, headphones, extra mini XLR cables and memory cards.

Filming Jonathan Head during a live broadcast on the Moei river between Thailand and Myanmar // Photo by: Thanyarat Doksone

Challenges of Broadcasting During Sunrise

Our first live broadcasts started at sunrise, making it a good challenge. Waking up at 5am, we hit the road with our car packed by 6am for a 30-minute drive to the location of the border river crossing. The constant change of light at sunrise presents a unique challenge, with the background changing from a beautiful pink to a brighter, softer light. To accommodate for the fast-changing light, I brought mini LED lights and a couple of reflectors, adjusting my ISO from 16,000 at the start and by the end, i had brought my ISO all the way back to 100. For a noon broadcast, we used a reflector to ensure even lighting on Jonathan’s face to match the background of the sparkling river, mountains, and sky.

My equipment list when out in the field:

4 thoughts on “Live Broadcasting on the Thai-Myanmar Border

  1. Great article. Curious to know what lens / ND you find yourself using the most. How are you handling IFB?

    1. Thanks Simon!

      For the last few years on the A7iii I’ve been on the 24-105mm f/4.0 mostly. then a wide and a 70-300mm. but run and gun 24-105 and the crop up sensor worked for most conditions.
      With the new Sony A7Siii I’m also on that lens but i’m trying out the 24-240mm on today’s shoot, I liked it more than I thought I would.

      I dont yet have a solution for ND’s on the lenses yet, in today’s case it was about getting an average exposure on how i know the light would change within the 5-15min time period and adjust the LED brightness or distance to keep exposure. But most of the light changed in between lives.

      That’s something I’m liking about the Sony FX6, variable ND. and hoping to upgrade to that at some point for situations like this.

      Thanks for being the first commenter on this blog Simon!

  2. Cool article Danny…wondering what picture profile you use to get those nice colours. I’ve been using PP11 which seems nice out of the camera. Do you feel there’s a big difference between the XLRKM2 and the newer version. I’ve got 2 of the KM2’s and am a bit reluctant to upgrade. I’m using the A7siii which is great. Hope all is good with you 🙂

    1. Thanks so much Yvan. Yea I’m also on PP11 right now, I’m going to take a look at S-Cinetone soon.
      I know what you mean about the K2M. To be honest when I first got the K3M it was on my A7iii and I thought it looked like a cheaper version. it didnt feel as sturdy to me.

      But its held up well, and now on the A7siii Its got the good benefit of getting four channels with using a mini jack input channel 3. I havent had the opportunity to do a shoot with four mics since getting the A7siii but i’m looking forward to seeing how that simplifies mics and post sync. Thanks man, all is good here, Hope all good on your end too 🙂

Comments are closed.

Back To Top